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All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli Calumny oil painting reproduction


Calumny
c 1494 detail of Remorse ,Portrayed as an old woman Dressed in black,and of the nude Truth Florence,Galleria degli Uffizi (mk57)
new2/Sandro Botticelli-275935.jpgPainting ID::  27038
 

 
 
   
      

All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli Calumny oil painting reproduction


Calumny
c 1494 Florence,Galleria degli Uffizi (mk57)
new2/Sandro Botticelli-873724.jpgPainting ID::  27039
 

 
 
   
      

All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli Calumny oil painting reproduction


Calumny
c 1494 detail of the slandered man dragged by the hair by calumny.Florence,Galleria degli Uffizi (mk57)
new2/Sandro Botticelli-756284.jpgPainting ID::  27040
 

 
 
   
      

All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli Calumny oil painting reproduction


Calumny
c 1494 detail of king Midas seated on his throne,surrounded by Suspicion and lgnorance.Florence,Galleria degli Uffizi. (mk57)
new2/Sandro Botticelli-389652.jpgPainting ID::  27041
 

 
 
   
      
Sandro Botticelli
  
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
Calumny
c 1494 detail of king Midas seated on his throne,surrounded by Suspicion and lgnorance.Florence,Galleria degli Uffizi. (mk57)

Related Paintings to Sandro Botticelli :.
| Maella, Mariano Salvador-Marina-56 cm x 74 cm | Joaquin Sorolla y Bastida63 | Henry, Prince of Wales by Marcus Gheeraerts the Younger | Girolamo di Benvenuto -- Judgment of Paris | Cortes, Ramon-Flavio Ervigio, rey godo-224 cm x 140 cm | | The Madonna in the Meadow | Allegory | The Morning paper | The Clothed Maja | Carmela Bertagna |

        

 

 

 
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